Robyn Rihanna Fenty was born on February 20, 1988, in Saint Michael, Barbados.[8] She is the daughter of accountant Monica (née Braithwaite) and warehouse supervisor Ronald Fenty.[9][10] Her mother is an Afro-Guyanese, while her father is a Barbadian of African, Irish, English, and Scottish descent.[11][12][13][14] Rihanna has two brothers, Rorrey and Rajad Fenty, and two half-sisters and a half-brother from her father's side, each born to different mothers from his previous relationships.[15][16] She grew up in a three-bedroom bungalow in Bridgetown and sold clothes with her father in a stall on the street. Her childhood was deeply affected by her father's alcoholism and crack cocaine addiction, which contributed to her parents' strained marriage. Rihanna's father used to physically abuse her mother, and Rihanna would try to get in between them to break up fights.[17]
Rihanna is regarded by the media as a pop and fashion icon, particularly since her third studio album Good Girl Gone Bad (2007).[257][258][259][260][261] Nick Levine of Digital Spy described Good Girl Gone Bad as "the closest thing to a Thriller that 2007/08 is likely to produce".[262] According to Rolling Stone, her single "Umbrella" and her eighth album Anti are regarded as among the 500 Greatest Songs of All Time and 500 Greatest Albums of All Time, respectively.[263][264] Her single "We Found Love" was ranked by Billboard as the 24th biggest US Billboard Hot 100 hit of all time[109] and her single "Work" has been credited by a Billboard editor for bringing the dancehall genre to the forefront of mainstream American music.[265] Music critic Jayson Greene of Pitchfork described Rihanna as the most influential singer of the past decade, writing:
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In November 2015, Rihanna and Benoit Demouy launched a beauty and stylist agency named Fr8me. The business based in Los Angeles was set up in order to assist artists in booking commercials, editorial shoots, ad campaigns, and red-carpet appearances. Rihanna stated, "Hair, makeup, and styling play an important role in creativity; I am very involved with that part of my process, so this agency was an organic thing for me to do." The roster includes Rihanna's makeup artist Mylah Morales, wardrobe stylist Jason Bolden, hairstylist Patricia Morales and Marcia Hamilton.[329] In addition to Fr8me, Rihanna opened a photo agency called "A Dog Ate My Homework", which represents photographers Erik Asla and Deborah Anderson.[329]
With its fantastically powerful MOSS engine, a fistful of control knobs, the X-Y pad, a polyphonic arpeggiator, a bundled software editor, and a return to the Trinity's high-quality keyboard, the Z1 should have become everybody's synth of choice. But it didn't. In part, this might have been the result of its limited polyphony, or its use of AI2 type effects rather than the multitimbral ACCESS effects structure. But there was a more arcane reason...
At the high end, the Trinity V3 was an expanded workstation that incorporated six Z1 voices. This raised the maximum polyphony to 38 in total, and made it possible to pass the Z1's modelled sounds through the Trinity's superior effects processors. The TR-Rack was another step forward. At first sight, this was a Trinity in a 1U case, but it too offered several improvements. In particular, the patch memory was doubled, the Trinity's 24MB ROM was expanded to 32MB (including Korg's new stereo sampled piano), and it was supplied with an OEM version of Emagic's Sound Diver editor.
1999 was also the year that Korg finally released OASYS, although not in the form originally envisaged. The OASYS keyboard had been dumped in 1996, so the technology returned to its roots when Korg reinvented it as a PCI card. This offered the I/O capabilities of the 1212 (although with 24-bit converters), an automated 12-channel mixer, and top-of-the-range synthesis and effects, all powered by five DSPs that you could program using a software editor derived from SynthKit.
Kay spent seven years developing his algorithms, using prototypes to write more demo tracks for Korg's synthesizers. But by the time he had cracked the major problems (and had patented the resulting inventions), he was close to bankruptcy. Fortunately, as had happened several times in Korg's history, Mr Katoh was prepared to take a chance; Korg licensed Kay's proprietary algorithms, and combined them with a Triton sound engine to produce the finished KARMA workstation.
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